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Showing posts with label The Most Influential Man You Have Never Heard Of. Show all posts
Showing posts with label The Most Influential Man You Have Never Heard Of. Show all posts

Saturday, June 07, 2014

MooPig Body Type Department :: "XXXL and Up"

The Most Influential Man you never Heard Of
Mixed martial articles by Pat Darnell  |  May 24, 2014  |  Bryan TX


[Graphic LINK]

Offensive line man is a discreet taxonomic category, and possibly an endangered species. But don't stop reading yet. You have to realize that in the National Football League, NFL, Left Offensive Tackle is the most important, and probably highest in IQ, player on any team. This has been thought about and researched by many aspiring football aficionados, many who are reticent on how to pick players for teams. It's all pretty straight forward. Position of Offensive Line Man is based on a player's physical size.

ALABAMA GAMEDAY: Evolution of offensive lineman... article by Tom Deas, Executive Sports Editor, Tuscaloosa News, wrote:
"... The Centers for Disease Control and Prevention, in a 2004 study, determined that in a 40-year period starting in the 1960s the average size of men and women in the U.S. increased by approximately 1 inch and 24 pounds."

"...Nobel Prize winner Robert Fogel and his colleagues spent some three decades researching body size and determined that the average height of native-born American men rose four inches between 1890 and 1980. ...[Offensive line coach, Joe Pendry said] "...If we had anybody that was 240 when I was playing (in the late 1960s), that was big. Back in those days, a 250-pounder was really big. It's changed quite a bit. (Deas, Tom. Oct 17, 2013.) ..."

The top five offensive tackles drafted this year, 2014, are:
1. Greg Robinson, 6-5, 332 lbs, Auburn
2. Jake Matthews, 6-5, 308 lbs, Texas AandM
3. Taylor Lewan, 6-7, 309 lbs, Michigan 
4. Zack Martin, 6-4, 308 lbs, Notre Dame
5. Cyrus Kouandjio, 6-6, 322, Alabama (Chris Fedor. May 05, 2014. LINK)

CONCLUSION
Science is needed here. How can a 6 and a half foot, 300-plus pound man run a forty yard dash in 4.5 seconds? Then repeat it, say, 60 seconds later? And keep repeating that for an hour?

The NFL uses large linemen to protect quarterbacks from large defensive linemen rushing into the offensive backfield. "...The size of offensive linemen began to change when the rules changed. In the 1970s, college football rules were altered to allow linemen to use their hands – what Alabama's late, legendary coach, Paul. W. "Bear" Bryant called "legalized holding." Previously, offensive linemen had to keep their hands in toward the middle of their jerseys, with their elbows extended, when blocking. (ibid. Tommy Deas. The Tuscaloosa News. October 17, 2013)..."

Someday there will be pauses in the football games occurring while larger-than-life linemen exchange liability insurance information for the collisions they cause on the playing field.


________________________Reference
http://moopigwisdom.blogspot.com/2008/01/xlii-superbowl-will-actually-be-played.html
http://moopigwisdom.blogspot.com/2008/04/annual-lbda-awards.html
http://moopigwisdom.blogspot.com/2009/01/moopigs-fat-burning-mentor-huh.html
http://moopigwisdom.blogspot.com/2014/05/lbda-l-arge-big-dumb-anim-al-on-your.html
http://www.tuscaloosanews.com/article/20131017/MULTIMEDIA/131019723
http://en.wikipedia.org/wiki/Joe_Pendry
http://www.cleveland.com/browns/index.ssf/2014/05/2014_nfl_draft_top_5_offensive.html
http://q.usatoday.com/2014/03/04/nfl-draft-top-10-offensive-tackles-greg-robinson-jake-matthews-taylor-lewan-cyrus-kouandjio/



Friday, May 15, 2009

Augusto Boal

The Most Influential Man You Have Never Heard Of
Posted: HERE
05/11/09 | Michael Rohd

Augusto Boal died on May 2, 2009 at the age of 78. He was a theatre practitioner, a philosopher, an activist, an author, a teacher, a politician.

And, he was the most influential man you have never heard of.

Boal created theatrical techniques and a philosophy of performance that not only transformed the theater but became a vehicle for social change.

He was born and raised in Rio de Janeiro. After finishing his studies in chemistry, he moved to New York City in the mid-fifties to study theater at Columbia University. When he returned to Brazil, he served as director of the Arena Theater in San Paulo from 1956 until 1971. It was there that he began experimenting with political theatre and the possibilities of engaging an audience through theatre as a "rehearsal for revolution."

Through trial and error, he moved from the classic agitprop message plays seen around the world in the 1960s to what would become his contribution to global theatre practice --Theatre of the Oppressed -- an approach, a book, and a set of tools that moved the performance from an experience of witnessing action to an experience of participation for everyone in the room.

In its earliest and most basic form, a story with a clear conflict would play out onstage, conclude, and then play out again from the beginning. In this second playing, a facilitator, or as Boal famously named it, "the joker," would offer the audience the opportunity to stop the action and step in, imagining alternative strategies for dealing with whatever obstacles the main character faced.

In 1971, Boal was jailed and tortured by Brazil's military junta for his activities. He was exiled to Argentina, and from there he moved to Europe, eventually teaching at the Sorbonne in Paris. It was in Paris that he started his first Center for Theatre of the Oppressed. After the military junta fell, he moved back to Rio in 1986. He set up another Center, and mobilized actors and non-actors to create companies around the city, utilizing theatre to challenge injustice and collectively tackle problems ranging from poverty to unfair housing practices to racism and sexism.

In 1993, he was elected to Rio's City Council and hired his theatre company as his staff. They used Theatre of the Oppressed to elicit nontraditional solutions to city problems. Then he proposed these solutions as law on the Council floor.

He published more books. He traveled the world training artists, students and community workers in his methods, and was nominated for a Nobel Peace Prize in 2008.

But the most influential man in the world you have never heard of?

* Across India, programs using Boal's Forum Theatre techniques fight alcoholism, dowry deaths, and explore accountability within village councils.

* In Scandinavia, counselors are using Boal's Cops in the Head techniques (which involve combining therapeutic tools with physical and improvisational performance exercises) to combat depression and domestic violence.

* Throughout Canada, First Nation communities are using Boal techniques for cross-cultural conflict resolution;

* Around the United States, high schools and colleges are using Boal's work to create service learning programs, peer-education anti-bullying campaigns, and violence-prevention curriculums.

* In South Africa (and Kenya, Nigeria, and other African nations), community development workers and health specialists are using Boal's tools to fight the spread of HIV/AIDS.

* In Australia, artists are using Boal's work to help homeless youth build the skills they need to move into jobs and homes.

Boal's work also influenced almost any cultural or civic activity that consciously breaks the wall that traditionally exists between the performer and the spectator. Any time someone suggests that the story you are witnessing can change, and offers you the chance to change it, in any medium (for example, if you've ever taken a job-related or corporate training workshop that used role-playing to develop communication or leadership skills), you've worked with someone who was utilizing Boal's work, whether he knew it or not.

Still, the most influential man in the world you have never heard of? Not any more, because now you have.

Augusto Boal's death resulted from respiratory complications related to an ongoing battle with leukemia. He is survived by his wife Cecilia and his two sons Julian and Fabian.

Michael Rohd is the founding artistic director of Sojourn Theatre in Portland, Ore. and on faculty at Northwestern University.

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